#24 Paris, Narita

February 22, 2018

Originally intended as a small book, “Glimpses: In which a Casual Traveler Ruminates on Passing Scenes—1989-2011″, I should like to share it with my readers in a more informal manner as a series of Blogs accessible from our website.

France: Paris: Walked the famous flea market and while at a booth that featured posters, found a small piece of paper stuck to the back of one of the posters I was turning over. Gently peeling it off, I discovered it was a page from a sketchbook that contained three separate pencil drawings: two small portraits with some inscriptions in French beneath each and an oval landscape alongside. The landscape had immediately attracted my eye and I asked the vendor what he wanted for it. He glanced at the drawing and said “Twenty francs.” I knew he did not even know the drawing had been there before I discovered it and thought I might do better. “It isn’t signed. Do you know who did it?” I asked. He pretended to study it and finally said, “No.” “I’ll give you ten for it,” I said. A Gallic shrug and an unspoken acceptance. I still have no idea who did the drawing, but have since been able to decipher the writing by dredging up my old college-day French lessons. I have not figured out who the upper figure is, but the lower one is obviously Dumas (as confirmed by the words below the drawing). One more treasure for my walls back home!

Japan: Narita: Taking advantage of a few hours layover on our way to Beijing, Cornelia and I stroll through the town, a small guide book in our hands. We were looking for a small monastery, unable to decipher signs along the way. Totally lost, we stopped a young woman to ask for directions — language difficulties! We pointed out the place in our brochure, but she looked at us helplessly as she had no words to tell us how or where to go. Suddenly a car pulled up and a large smile appeared as she beckoned us to get into the back seat as she slid next to the woman behind the wheel. A bit taken aback, we got in and, with the driver’s (her mother, it turned out) limited English, were told that it was easier to take us where we wanted to go rather than try to give us directions. How nice to be treated so hospitably by complete strangers!


#23 Shanghai, Lubeck

February 15, 2018

Originally intended as a small book, “Glimpses: In which a Casual Traveler Ruminates on Passing Scenes—1989-2011″, I should like to share it with my readers in a more informal manner as a series of Blogs accessible from our website.

Shirley and her Dad at a Senior Citizens Center

China: Shanghai: Sightseeing with “Shirley” and “Joe”, our guides during our visit to attend the inaugural opening of Chen Chi’s museum at the Jai Tong University, they took us to a senior citizen center where Shirley’s father was spending the day. A beautiful place — more of an oriental mini-palace with flower-filled gardens surrounding each building, so unlike many of our nondescript and impersonal “old-age” residences — we found her father painting in an arts-and-crafts building, putting the final touches to a large rooster emerging from the rice paper spread out on the table before him. “Ah,” I remarked. “My symbol — the year of the cock. I was born in 1933.” Shirley translated for me, whereupon her father smiled broadly and immediately began folding up his still slightly damp painting. When he had completed his folding — transforming the rather large painting into a wallet-sized wad — he handed it to me with a slight bow. “Oh, no!” I protested, but Shirley assured me that her dad would be offended if I did not accept. I bowed in return and gladly accepted the gift (which is now properly framed — the folds still discernible — and hanging in my study). Upon my return to the States, I picked out a small Hudson Valley landscape that I had recently painted and promptly packed it off to Shirley and Joe to give to her father the next time she saw him. I hope that he was as pleased as I.
Another memorable moment with our guides: having dinner at a restaurant with them and their son, “Jack” who, after watching me eating with a fork, tried to do it himself. As adept as me with chopsticks (which is zero), “Jack” was a delight to watch as he struggled to get food off his plate and into his mouth. All of us had a good laugh. (Note: Chen Chi, the reason for our visit, was an artist I had met in NYC and about whom I wrote several books and a profile in ART TIMES.)

Germany: Lubeck: Visited this small city to visit the home of Thomas Mann (it was gone, destroyed during the war) and found instead a small print shop. Browsing through a box of plastic-wrapped prints, I came across a small pencil drawing of a soldier seated at a small café table, his back to the viewer and some lightly-sketched people in the background. It immediately appealed to me so I purchased it. When I got home, I unwrapped it from its protective plastic covering to have it properly framed — only to discover that there was a second drawing hidden from view on the reverse! I had it double-framed and now can enjoy either side at my pleasure — a special “find” for me!

# 22 Wushi China, Valais Switzerland

February 2, 2018

Raymond far right surrounded by school children

Originally intended as a small book, “Glimpses: In which a Casual Traveler Ruminates on Passing Scenes—1989-2011″, I should like to share it with my readers in a more informal manner as a series of Blogs accessible from our website.

China: Wushi (Wuxi): Visiting Chen Chi’s home town of Wuxi, we (our guides “Shirley” and “Joe”, Cornelia and I) took a short boat ride out to Turtle Island where Chi once did some of his early work. It happened that it was a holiday for school children, and we found ourselves surrounded by kids grouped by different colored outfits and attended by teachers. At one point a young boy touched my arm and, holding out a piece of paper, spoke to me. I turned to Joe and asked him what the boy was saying. “He’s asking you to make your mark for him – to write down your name.” I smiled at the boy and alongside my name drew a self-caricature that I sometimes include at the end of my notes to friends. His eyes lit up and as he passed it around to his friends, eyes lit up all over the boat as what seemed to be hundreds of little hands with scraps of paper in them were thrust at me. And, it didn’t end there! During the day, as we strolled around Turtle Island, the word must have spread as we were constantly being waylaid by new kids in different colored outfits shyly approaching with their papers held out to me. Some tried out their limited English: “Hell-o”, “How are you?” and when I would say “Nee Haw” they would collapse into gales of laughter. What a day! After signing I don’t know how many papers, fans, napkins, and whatever, I felt like a visiting rock star!

Switzerland: Valais: Studio apartment next to our friends Heinz and Christiane, some 3000 feet up in Aminona — outside our window I view the Val d/Anniviers, looking south to Italy, far below to the city of Sienne at our feet. The peaks across the way (the highest, Weisshorn) tease me as I try from day to day to capture them in oil or watercolor sketches (in the apartment next door, Heinz is doing the same, I know) with the light constantly changing the vista, mountain peaks coming in and out of view as clouds reveal or screen them.


On the third day of exasperation, I cross the hallway to see how Heinz is doing, and learn a secret! He has several paintings underway, each started at a different time of the day. As the light changes, he begins a new canvas, setting aside the earlier one until he can resume it the next day — in all, about four canvases, each a work-in-progress. Aha! Immediately one can see the difference between a writer who paints and a painter who paints! In any event, at the end of our week-long stay, I have enough sketches (and photos) to cobble something together when I return to my studio back home. (I hope).

#21 Quebec, Rügen, Bruges, Bavaria

February 1, 2018

Originally intended as a small book, “Glimpses: In which a Casual Traveler Ruminates on Passing Scenes—1989-2011″, I should like to share it with my readers in a more informal manner as a series of Blogs. 

Canada: Quebec City: “Rue des Artistes” — a North American version of the “Via Margutta” in Rome…odd how two cities from different continents can merge in the mind.

Germany: Rügen: While wandering this small island off the coast of northern Germany, I was delighted to come across the same sharply, pointed rocks along the shore that captured the attention of Caspar David Friedrich, the great German Romanticist painter. Again, that empathic shiver!

Belgium: Bruges: While visiting the Jarczyks in Cologne, we rent a car and take Cornelia’s mother Elsie and my daughter Barbara (Jonason) to Bruges, the “Venice of the North”, for a one-day sight-seeing trip. Boat ride along the canals; Michelangelo’s Madonna in the church. Barbara buys lace as a souvenir of the trip (I wonder if she still has it tucked away someplace?).

Watercolor of Neuschwanstein by Heinrich J. Jarczyk

Watercolor of Neuschwanstein by Heinrich J. Jarczyk

Germany: Neuschwanstein, Bavaria: Rode up in a horse-drawn open carriage to this fairy-tale castle perched on a mountain built by a king whose subjects called him mad. Fitting. Yet, about 100 years later the descendants of those who called him crazy used this castle to house the thousands of works of art stolen by Nazi thugs from France during WWII. Not so fitting. I guess “madness” is a relative term.